Hold on to your hoverboards, we're taking a trip Back to the 80s! When modern teen Mary Fitzfry gets sent back in time by an eccentric professor, she finds herself in the middle of a totally tubular cavalcade of 80s pop culture. There's a lot of familiar faces, from the teens in breakfast-time detention to the guys chasing ghosts and dancing zombies, but the biggest surprise of all is Mary's own protective mom as a teen. Turns out she's actually kind of rad - but thanks to Mary's time travel, she's in trouble. Can Mary make things right? This adventure takes you from the mall where everything happens, to a suburban sitcom street, to a cave under the high school - and you can choose who to feature from a flexible throng of characters to bring your audience maximum nostalgia. A hilarious parody to make all ages cheer "I love the 80s!"
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As a group, it is increasingly difficult to find shows that appeal to cast and audiences alike, but Disco Inferno was certainly one of these. Having performed this show back in 2007, we felt that it was a great time to provide another tribute to the era, particularly given the resurgence of 1970s music and the tragic death of David Bowie.
When we were first granted performing rights to Hairspray, back in March 2009, a tingle of excitement ran through the team. Following the cast trip to the West End to see the show, this quickly changed to nervous fear!
Based on the novel by Tom Perrotta, this is a skillfully woven tale of suburban angst that retains a very novelistic feel. An excellent case study in how to make voiceover work for and not against your script.
This is arguably a better script than the one McCarthy won the best screenplay Oscar for: Spotlight. Beautifully tight and sparse writing about a lonely professor learning to loosen up after discovering a couple of illegal immigrants living in his New York apartment.
Written on spec by writing team Lucas and Moore (Four Christmases, Ghosts Of Girlfriends Past), this script is a near-perfect execution of a very high concept. Along with (500) Days of Summer, this is probably the best screenplay to come out in 2009.
Johnson has said of writing the script he wanted it to be character based rather than focus on the mechanics of time-travel. He drew inspiration from movies such as The Terminator, 12 Monkeys, and Witness. One of the best screenplays to read if you love mixing sci-fi with ironic humor and time-travel.
The Wachowskis pitched the script to Warner Bros. who were initially skeptical of its philosophical musings and tricky SFX for the time. They then decided to bring on board underground comic book artists Steve Skroce and Geof Darrow to storyboard the entire film, shot-by-shot. Warners were impressed and the rest, as they say, is history.
Three of the best script writers in Hollywood collaborated for this modern classic. Beattie originally had the idea for the movie aged seventeen while riding in the back of a cab in his native Sydney. He then worked up a two-page treatment called The Last Domino, which he turned into a screenplay. Later he was lucky enough to be put in touch with Darabont and then Mann who both contributed revisions.
Many of the tropes have been copied almost to the point of cliche by a generation of later writers. But this script was groundbreaking for its time and is impossible to ignore if you want to learn how to become a screenwriter.
The origins of this spec screenplay are just as creepy as the film. As Reddick recounts, he was given the idea by a real-life story of a woman whose life was saved by her mom who warned her not to take a flight that wound up crashing. Reddick then wrote the script as an X-Files spec but was advised by a friend to reshape it into a feature.
This script was born purely out of budgetary restrictions as writers Whannell and Wan deliberately wanted to write a horror film as cheaply as possible. One that they could finance themselves. Inspired by low-budget movies such as Pi and The Blair Witch Project, they decided on the concept of two actors, one room, and one dead body. Easily one of the best screenplays to read for horror writers.
BONUS SCREENPLAYS TO READ: You can download five more of the best screenplays to read in each genre in this post. Read as many movie scripts as you can and watch your screenwriting ability soar.
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Fantastic effort providing this shopping list of essential scripts for the aspiring. Having trouble finding the script for City of Women (citta delle donne) anywhere online.Any assistance is appreciated.
THANK YOU SO MUCH! I was looking for a PDF of the script for The Others and found your page. Reading the titles of the scripts you have culled here made my heart sing with the love of cinema that started my long journey into the film biz. Recently I have been pessimistic and disheartened about the lack of quality films coming out these days. But looking at these titles made me feel totally invigorated and optimistic.
Great resource, but sadly no musical genre section, *sniff. If anyone has the script for the musical film CHICAGO (not the stage musical), then I would be eternally grateful if you could please forward! Email: email@example.com
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The Federal Open Market Committee's (FOMC) overarching focus right now is to bring inflation back down to our 2 percent goal. Price stability is the responsibility of the Federal Reserve and serves as the bedrock of our economy. Without price stability, the economy does not work for anyone. In particular, without price stability, we will not achieve a sustained period of strong labor market conditions that benefit all. The burdens of high inflation fall heaviest on those who are least able to bear them.
Slowly put your foot back onto the ground, then transfer your weight to that foot. Slowly lift your opposite leg. Start by doing this exercise for balance five times per side, then work your way up to more repetitions.
Stand behind the chair with your feet slightly apart. Slowly lift your right leg to the side. Keep your back straight, your toe facing forward, and stare straight ahead. Lower your right leg slowly. Repeat this exercise ten to 15 times per leg.
Like NVSS, PMSS uses vital records for identification of deaths, including descriptions of causes of death and pregnancy status information on death records. Different from NVSS, PMSS further uses linkages of death records of women of reproductive age to birth and fetal death records within 1 year of the death, media searches, and reporting from public health agencies, health care providers and the public in the identification process. PMSS uses a time frame that includes deaths during pregnancy through 1 year after the end of pregnancy; this timeline allows evaluation of all deaths which might be pregnancy-related. In PMSS, deaths are reviewed by medical epidemiologists who perform an in-depth review of vital records and other data as available (e.g., medical records, autopsy reports) for each death to determine the pregnancy-related mortality ratio. These linkage and review processes by PMSS result in slower reporting than NVSS, but a more rigorous identification of deaths related to pregnancy.
SEC. 4. That for the purpose of properly identifying Chinese laborers who were in the United States on the seventeenth day of November eighteen hundred and eighty, or who shall have come into the same before the expiration of ninety days next after the passage of this act, and in order to furnish them with the proper evidence of their right to go from and come to the United States of their free will and accord, as provided by the treaty between the United States and China dated November seventeenth, eighteen hundred and eighty, the collector of customs of the district from which any such Chinese laborer shall depart from the United States shall, in person or by deputy, go on board each vessel having on board any such Chinese laborers and cleared or about to sail from his district for a foreign port, and on such vessel make a list of all such Chinese laborers, which shall be entered in registry-books to be kept for that purpose, in which shall be stated the name, age, occupation, last place of residence, physical marks of peculiarities, and all facts necessary for the identification of each of such Chinese laborers, which books shall be safely kept in the custom-house.; and every such Chinese laborer so departing from the United States shall be entitled to, and shall receive, free of any charge or cost upon application therefor, from the collector or his deputy, at the time such list is taken, a certificate, signed by the collector or his deputy and attested by his seal of office, in such form as the Secretary of the Treasury shall prescribe, which certificate shall contain a statement of the name, age, occupation, last place of residence, persona description, and facts of identification of the Chinese laborer to whom the certificate is issued, corresponding with the said list and registry in all particulars. In case any Chinese laborer after having received such certificate shall leave such vessel before her departure he shall deliver his certificate to the master of the vessel, and if such Chinese laborer shall fail to return to such vessel before her departure from port the certificate shall be delivered by the master to the collector of customs for cancellation. The certificate herein provided for shall entitle the Chinese laborer to whom the same is issued to return to and re-enter the United States upon producing and delivering the same to the collector of customs of the district at which such Chinese laborer shall seek to re-enter; and upon delivery of such certificate by such Chinese laborer to the collector of customs at the time of re-entry in the United States said collector shall cause the same to be filed in the custom-house anti duly canceled. 2b1af7f3a8