Haynes's cast of characters is a bit too on-the-nose and a bit too in-your-face for the average Dylan fan, but those are probably the audience the director was trying to reach. The film's ultimate aim isn't a faithful take on Dylan's career and persona but an Oscar-worthy costume drama about the singer's relationship to his fans, in the mode of the Andy Warhol biopic Popism.
The two sides of the album are consummately executed, and were the two record labels ever to release a full-blown release of the soundtrack, it would have been a near-perfect collection. And if Haynes' film were to hit the big screen, it would be a no-brainer to use portions of the soundtrack as a soundtrack to the movie. By far the best aspect of this album, in fact, is its very conception -- as much as I love the packaging (the limited-edition CD is housed in a custom-designed slipcase, and the album comes in a high-quality digipak version as well), it's the content that makes it worth owning. A few songs should serve as a reminder that Dylan's gifts aren't limited to the great ones of the past, but the singer/songwriter has been a force of nature, a raging torrent of creativity and imagination, right up to his death in early 2012, and his output still continues to be one of the most important parts of popular culture. While there's no reason to think that a biography based on the album is likely to come along any time soon, I'm Not There is a must-have for anyone who wants to really know why Dylan continues to be such a vital cultural force. And if you're into rock, you should probably have this album on your iPod.
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