The Phantom of the Opera is the soundtrack to the 2004 film based on the Andrew Lloyd Webber musical, There are two versions released, the standard 14-track release and a two-disc deluxe edition.
Andrew Lloyd Webber's musical adaptation of Gaston Leroux's 1911 gothic mystery novel The Phantom of the Opera proved to be at least the composer's second most successful project, behind only Cats, and with the potential to outdo even that blockbuster. The musical opened in London in October 1986 and in New York in January 1988, and both productions were still running (along with many others around the world) when the film version finally premiered in December 2004. Because the same starring performers, Michael Crawford and Sarah Brightman, moved from the West End to Broadway, there was no original Broadway cast recording, the original London cast album serving to represent both stagings. In line with the success of the show, that album, a double-disc set, was also a hit, selling four million copies in the U.S. alone by 1996, with another four million copies of a single-disc highlights version as well. Although there was also an original Canadian cast album (not to mention foreign-language versions from such countries as Japan and Austria), the movie soundtrack represents the first major re-recording of the score since 1986. Again, Lloyd Webber has opted to issue it in two versions, but this time, the 63-minute single CD is considered the standard release, with the double-disc set billed as the Special Edition version. Even fans of the show and the film may want to stick with the shorter one, however. The two-hour special edition is that rarity, a soundtrack album that actually contains the complete, unedited film soundtrack, including dialogue, incidental background music, and sound effects. This, of course, makes it something of an odd listening experience, especially because there doesn't seem to be any reason why some dialogue is spoken and some is rendered in singsong recitative. Lloyd Webber has written some extra background music here and there, as well as one new song, and that's an oddity, too. Minnie Driver, who plays the prima donna Carlotta, had her singing dubbed by Margaret Preece, but she turns up at the end and, over the closing credits, sings "Learn to Be Lonely," an irrelevant and musically out-of-place song clearly composed just to have a new tune that would be Academy Award eligible. The film's other singers are adequate but no competition to Crawford, Brightman, and their colleagues, and the initial recording remains the one to buy.
Welsh singer Katherine Jenkins was approached by Lloyd Webber to record her version of "Love Never Dies" in late 2009. The song appears as the first track on the special edition of Jenkins' album Believe, which was released on 29 March 2010 in the UK. Jenkins performed the song with Lloyd Webber on the ITV1 show Dancing on Ice on 28 February 2010. Lloyd Webber has stated that Jenkins would not fit the score of his musical Love Never Dies because her vocal range is a mezzo-soprano, not a soprano like Sierra Boggess.
For inquiries about group ticket discounts for 15 or more, call the Group Services office at 714.755.0236. The TTY number is 714.556.2746. The 2 p.m. performance on Saturday, February 20 will be sign-language interpreted.The Music of Andrew Lloyd Webber is presented by special arrangement with The Really Useful Group. The creative and design teams for this engagement will reunite the team behind the 2004 production: director Tom Kosis, musical supervisor and conductor Edward G. Robinson, lighting designer Brian Nason and sound designer Lucas J. Corrubia, Jr. Robinson, who will be center stage conducting the 30- member orchestra, has a long history working on Andrew Lloyd Webber shows including Cats, The Phantom of the Opera and previous tours of The Music of Andrew Lloyd Webber.Andrew Lloyd Webber is the composer of The Likes of Us, Joseph and the Amazing TechnicolorDreamcoat, Jesus Christ Superstar, By Jeeves, Evita, Variations and Tell Me on a Sunday, Song &Dance, Cats, Starlight Express, The Phantom of the Opera, Aspects of Love, Sunset Boulevard, Whistle Down the Wind, The Beautiful Game and The Woman in White. He composed the film scores of Gumshoe and The Odessa File and Requiem, a setting of the Latin Requiem Mass, for which he won a Grammy for Best Contemporary Composition. He has also produced in the West End and on Broadway, not only his own work, but the Olivier Award-winning plays La Bête and Daisy Pulls It Off. In 2004 he produced the film version of The Phantom of the Opera. In 2006 he oversaw a new London production of Evita, Phantom - The Las Vegas Spectacular and pioneered television casting for musical theater with the hit BBC series How Do You Solve A Problem Like Maria?" which won an International Emmy. He followed this with the equally successful series Any Dream Will Do. His awards include seven Tonys, three Grammys, six Oliviers, a Golden Globe, an Oscar, an International Emmy, the Praemium Imperiale and the Richard Rodgers Award for Excellence in Musical Theatre. He was knighted in 1992 and created an honorary life peer in 1997. He's a 2006 Kennedy Center Honoree. 2b1af7f3a8